List of Piano Serial Numbers, Piano Brand Names, Piano Manufacturers, Piano Serial Number Search-O Briain Pianos Art Gallery. Grinnell: Detroit, Michigan: 19021960: Samick: Sold under names Lenard, Clayton, Holly, Uxbridge and Playtona. The Baldwin salesman stated that the Grinnell Brothers actually did not make pianos at all and that Grinnell was simply a Detroit Department Store like a Macys and that this piano was of the Department Store grinnell bros piano serial number.Their factory was located at 1515 Woodward Avenue, Detroit, Michigan.These are usually found on the “Plate” near the tuning pins between the bass and tenor sections as shown below.I have a 1926 black Grinnell piano with a mirror on it Comes with a storage bench, keys need some good cleaning, and the piano needs some tuning. The item 1926 Grinnell Upright Piano, Used condition, Number of Keys 88 is in sale since Monday, October 12, 2015.Or it may be somewhere else on the plate near the tuning pins.It can also be found on the “beams” of the plate stamped on the side.It can also be found stamped into the soundboard under the strings at times. Find the serial number of the piano so you can look up its year of manufacture in the Pierce Piano Atlas.Usually four to eight digits, the serial number is most often located near the tuning pins, either printed directly on the plate or engraved in the wooden pinblock and showing through a cut-away portion of the plate.items serial number is followed by the name(s) of the author(s) or.It can also be found on the top of the piano when you open the lid on Upright Pianos. You are looking for a number like those shown here.Step 2: Download this handy PDF document and find the age of your piano based on its manufacturer and serial number. If you cannot find the serial number.I make house calls in greater New York City, including parts of Long Island. Please click here for a recent epiphany on ways you can far more accurately approximate the date of your Wurli’s assembly.I tune and regulate these pianos. Well, now: Here it is.I hope others find this helpful, and can help me make the dates and data even more accurate and specific. I’d realized there was no one page on the internet that listed every Wurlitzer Electronic Piano model, its years made, and its basic, differentiating features. I began this page in July 2014. There are many brands that are difficult to find.It is highly unlikely that you will find your exact serial number.
The table is wide, and has some inadvertently hidden columns that you will see if you select text and drag to the right.(scroll or click/drag text to right for additional/hidden columns->)Extremely rare, perhaps a prototype or the model placed in test markets. And so on.Hint: Select 10 entries per page in dropdown for ease in navigating. In other cases, (the earliest 140B’s, the earliest 200A’s), it appears that completely-assembled instruments from the prior model run had the newest amps put in at the last minute, and were badged with the newest model number, in spite of being hybrids of two distinct model generations. Therefore, certain models (The 112A, the first run of 140/145/720) seem to be hybrids designed to use up parts before a major transition goes into effect–or, they are, in effect, short-run prototypes. It is becoming increasingly clear that Wurlitzer had a policy of using up parts whenever possible. It is best to call me: 34.Click: Wurlitzer Tuning, Regulation & RepairNew: Testimonals from satisfied customersThe list is followed by some important notes about reed styles (now found here), and other clarifications.The descriptions of differentiating features between models should be taken as general guides. The handle is also on the back, so the keys point down when carried as a suitcase." "Auxiliary pedal" mentioned only in action-removing instructions of manual, seemingly an afterthought (p.8) Some pix, not all, showing a right-side hole where it would go. "The 110 slides out of the case for servicing, as the top is fixed. Manual exists, less rare than the keyboard as they continued using it, inappropriately, for the 111. This model seems to be quite rare may have been replaced with the 111 within months. (does this double as a carrying handle?) Is there a damper pedal? I'm guessing not.Wood & Brooks Action. Photo shows wrought iron legs (dif from those on 110) and a music stand that spans the whole instrument and attaches on the sides. Much more common than the 110, as several have shown up for sale recently. Chair, w similar legs, matches table."Brown pebble-textured finish" (Owosso Argus Press, June 28, 1955) "Pebblelac finish" (Manual, p. Piano sits on a table with wrought-iron legs. Latest gulliver mod 16 4 torrentStill sits on table with wrought iron legs, matching bench. "The 111 is essentially a 112, with the 110 amplifier." The lead treble sustain brick of later 1950s models is found on some of these- not all of them, and not sequentially by serial number. Reed screws are under damper action and hard to access (true of all 1950s models). Apparently has no manual: One original owner was given a 110 manual instead (which confused him given the changes in accessing the works). (As it is on some 111's, may be on all of 112's). A heavy lead brick, bolted over top 8 reed screws for improved sustain, is not shown in manual, but exists on instruments by at least March 1956. Perhaps although several 111's have shown up, recently. Washers are separate from screw, and their positioning can impact the tuning, especially if reed tip is facing (incorrectly) upwards. Different gauge, different design. The 112 pedal attachment is improved from the 111: There is an adjustable tension screw with a spring, which changes the damper-lift properties in relation to pedal-depth.Reed screws are not interchangeable with post-1956 reed screws. Wooden legs attach to instrument.See note on side-mounted pedal in model 111. The sound and feel are unique, though, and this can be appealing.1331 (!! This is in the middle of the 111 serial numbers.leftover plate?), next known is 41006198, 6609 (Mar 23, 1956), 7763 (!! Later than all known 112A numbers.)June 1956 (reed bar stamped "L," slightly different from March '56 112, may be 112A) Pratt-Read Action. The conception is far more primitive. They will never have the feel of a post-1961 model, and this should not be expected of them. Of course, they are fantastic once they have been serviced. As with all 1950's-era models, this should be a consideration before investing in one. The company simply wasn't yet designing these with ongoing maintenance in mind, and as a result, everything takes 4 to 6 times longer to repair. Grinnell Piano S Series Are ArguablyLead sustain brick still covers top 8 notes, instead of the 11 notes of the upcoming 120, so this action has three more dampers than the 120.They didn't bother making a manual for it, even though its significant changes warranted one they just inserted a couple of new pages into the 112 manual.According to Fred DiLeone, the key sticks are longer than on a 120, with a stop at the back to prevent them from bouncing up. (See more detail on this in 120 entry).In short, this is a briefly available hybrid of the 112 (amp, reeds, basic look of the exterior) and the upcoming 120 (same pedal, and similar, not same, action). These and 120 series are arguably even more complex/ difficult to regulate than earlier actions. Pedal mounts not on right side, but on bottom, behind middle E and F, for the first time (a pedal design which is retained, with only modest changes, through 1983). It begs the question: Were these models being produced at the same time? Or were there odd gaps in the 112 serial number ranges, which the 112A filled in? And why the "P" designation at the end of some serial numbers? For "Pratt Read"?6227? (Reported by an ebay seller. They matched one of the 112 reed bar variants (from early in 1956, as opposed to the mid-year version.strangely).As I've never heard one played, I wonder: Is the strike-line of the hammers here different than on the 120, to take into account the different reeds? (If you put a lower register 120 reed in a 112, it doesn't do so well: Hammers "thud" in an nodal spot, and presumably vice versa.) Or, did they change the specs on the 120 reed bar and reeds because this setup wasn't working so well?The serial numbers are interspersed with known 112 numbers, in both the 60 ranges. Through trading photos, we compared reed bars with a 112. Numbers may not be sequential).Very late 1956? (seen on masking tape on reed bar in serial #10036 (Wurlitzer note #9)Photographic evidence suggests this is the Wurli Ray Charles used on 1959 hit "What'd I Say." Specifically, one of the 1958 variants with a Rorschach-blot/jigsaw look to the music stand.
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